June 18, 2007 4:52
Who Has the Stuff?
It's a question that comes to mind all the time. Who among living artists will continue to be famous a century or so from now? Who will continue to seem important and powerful? The Barnes Foundation is full of Jules Pascins, once a name that every art lover knew. Now he's one so obscure it wouldn't be fair as a Trivial Pursuit question. John Steuart Curry? He used to be big, back in the 1930s, when the American regionalists were winning the art wars for a while against the Modernists. Now? He still has murals in Kansas and D.C., and he turns up in a few museum collections, including the Whitney. But it takes a long wall card to remind people of who he was.
I was reminded of this because my blogger colleague Tyler Green has begun playing an art history list game, one that actually forces you to think about your taste and judgments, once you start toying with it. The game? Name the ten truly great artists in each century. So for the 20th, let's say Matisse, Picasso, Duchamp, Bonnard, Miro, Mondrian, Pollock, Bacon, (David) Smith, Warhol. But now I've left out Malevich, Kandinsky, Brancusi, Beckmann, DeKooning, Rauschenberg, Johns, Hesse and Serra, all of whom changed the terms of the game in some way. And Klee! (A kingdom unto himself.) Green throws in a photographer, Arbus. But if you're going to do that I don't see how you can leave out Cartier-Bresson, at least for the work in the 30s that was some of the greatest Surrealist art of the decade. And then there's Robert Frank.
Maybe it's easier to start with the seventh century, when Anonymous was the only name to be reckoned with, at least in the West.
And further on the topic of fickle fame, the U.K. daily The Guardian has published the results of a survey of 6400 Brits who were asked to name their top ten "arts heroes". You'll be pleased to know that Leonardo made the cut, but probably because he's that guy in The Da Vinci Code. I don't know how you'll feel about the news that Banksy scored higher than Picasso.
About Looking Around
Richard Lacayo writes about books, art and architecture at TIME Magazine, where he arrived in 1984. He is the co-author, with George Russell, of Eyewitness: 100 Years of Photojournalism and has won various lesser known journalism prizes, which he keeps in his desk drawer. Read more
Recent Posts
Looking Around Archives
October 2008
Choose a day to view events.
<< Previous Months
Blog Roll
- Plain Sight
- Eric Etheridge
- Art Law Blog
- Looting Matters
- Illicit Cultural Property
- The Exhibitionist
- The Walker Art Center
- Daily Dose of Architecture
- Artblog.net
- Art to Go
- Alecsoth.com
- Artsjournal.com
- Hatchets and Skewers
- artsjournal.com/man
- artsjournal.com/culturegrrl
- artsjournal.com/artopia
- artsjournal.com/aboutlastnight
- C-monster
- The New Modernist
Reader Comments (1)
I do not see what difference it makes if someone will be famous after they die. Art is about art, not about who is the most famous. Is a work of art good because it is good or good because it is created by someone famous? An artist's contribution is no less to the world if viewed by one person or one million people.
Posted by Yadgyu | June 18, 2007 10:40 PM